500 Days of Summer – Expectations vs Reality
Interstellar – Joseph Cooper watching his video messages
Schindler’s List – I could’ve saved more…
UP – The first 10 minutes…
12 Years A Slave – I’m sorry…
The Lion King – Mufasa’s death
2046 – ‘Let Me Borrow You’
Logan – ‘Don’t become what they made you to be.’
500 Days Of Summer is one of the most original and at times, realistic romance films in the last nineteen years. The performances of JGL and Zooey DeSchanel really make the film an instant classic, but the scene that audiences constantly analyze and discuss is the Expectations versus Reality sequence. Truly relatable and brutally honest, watching our male lead navigate the scenario that played out in front of us made the significance of the little things so very important in any relationship.
Interstellar is a film that has divided moviegoers since its release in 2014. Many applaud Nolan’s commitment to accuracy in depicting the effects of interstellar space travel and the performances, but were a bit put off by the concept of love transcending space and time. Regardless of what you may think of the film, the sequence that evokes the strongest emotional response is the scene in which Cooper views his messages from his family whom he left behind on Earth. We watch as Cooper’s emotions change from elation, sadness and guilt as the realization dawns on him that his children who have now aged from teenagers to adults resent him for abandoning them. It all comes to a head when his daughter Murphy (who was the most vocal about him leaving) is now the same age as he was when he left. Despite hating him, she still wishes for his return. The reaction from Cooper is truly heartbreaking and expounds upon the weight of Cooper’s decision to leave his family behind to save mankind.
Schindler’s List is a haunting reminder of the atrocities that occurred during WWII and the tyrannical reign of Adolf Hitler and the Third Reich. The film’s protagonist Oskar Schindler was a businessman who thrived under the rule of Nazi Germany. Even though he had no political ties to Hitler, he seemingly had no issue with operating his factories under the stifling regime. Over the course of the film, we see his calculating personality evolve and become more invested in the lives of the men and women that worked in his factories. Once the tide of war changed and it became more difficult for him and his wife to stay, it culminates in a heartbreaking scene where Oskar feels as though he failed. He saved generations, as Sir Ben Kingsley’s character stated, but Oskar is wracked with guilt, hoping that he sell more of his worldly possessions to save more.
UP tells a greater love story than Twilight and I dare even say Titanic. We meet our protagonist Carl as he meets the love of his life Ellie, as we observe them as young children, growing up and getting married, hopeful for a family and experiencing the heartbreak of not making that wish come true. Both Carl and Ellie had dreams of traveling but something always stood in the way of that. Their dreams were simple, but fulfilling to them and to see how the couple’s hopes and dreams were was dashed in the first eight minutes of the film truly paints a bittersweet picture as we progress through the film.
12 Years A Slave is a difficult film to sit through, and intentionally so, as it tells the true story of Solomon Northup, a free black man from upstate NY kidnapped and sold into slavery in the South. Solomon faces extreme hardship and ridicule, despite proclaiming his freedom to his captors. Solomon finally obtains the means to leave slavery and returns home to his family, with grown children and a grandson who bears his namesake. What follows is a heartbreaking and tragic scene as Solomon apologizes for his long absence as his family comforts him.
Mufasa’s death is the first instance in which I was confronted with mortality in fiction and life in general. When I watched The Lion King on VHS during a fall day in 1996, I was expecting a fun children’s film dealing with talking animals; what I received was a moment that truly stuck with me well after my adolescent years. Who doesn’t get teary eyed when Simba uses his head to nudge his father’s lifeless body?
In The Mood For Love is a better film and one I recommend for those interested in HK cinema, but 2046 is a worthy and beautifully haunting followup. ITMFL’s protagonist Chow Mo-wan has become a womanizing and brusque individual who doesn’t believe in love anymore, as the love of his life left him during the events of the first film. He has encounters with other women that may thaw the ice that has formed around his heart, but he can’t let go of the one who got away. Despite the obvious chemistry and attraction to Bai Ling, a nightclub girl who carries herself in a more aggressive manner than his lost love Su Li-zhen, he realizes he has grown tired of the life he has led since his emotional affair ended with Su. Chow’s realization of his pain comes near the end of the film, but at the expense of Ling, who wishes to barter for his affections.
Hugh Jackman’s last outing as Wolverine was truly memorable, visceral and haunting in terms of the typical comic book film. Moments of brevity were soon followed by intense and shocking acts of violence. Interlaced with this is a heartbreaking story of a hardened and nihilistic man, who is slowly dying and has no hope, discovering that there is a young lady who, even though she was not born from his loins, carries the legacy of who he aspired to be. This frightens him, as he tries to resist the notion of being a father, with his cold and standoffish nature driving a wedge between him and the girl that shares his DNA. Logan has strived to do the right thing, but there are always consequences in his willingness to act. Sadly, despite his valiant efforts to save X-23 and her friends, he loses his life, but not before sharing one vital piece of advice to his ‘daughter’: ‘Don’t become what they made you to be.’